I do not have to identify with my role so inflexibly that I cannot step out of the director shoes and allow another person to step into them and look at the play from the director's point of view. In fact, this stepping away on my part while, say, the sound designer steps in, can be very useful for our shared process. (Anne Bogart's blog)
That? Is real collaboration. It's also something people have an extremely hard time doing. Someone stepping into your shoes or your window or your territory feels like an indictment of your expertise, an assumption of failure on your part; we've studied ownership and accountability for so long.
This is, I think, what collective ownership is really about: we own the product together, and everyone is able to look at the product, build the thing, from many angles. I like the notion of collectiveness as empathy -empathy with the product, with the space and the people around us.
It's not the exclusive domain of theatre, though I've seen some of the most passionate collaboration there - it applies anywhere people make things together.
Your thoughts?
(no subject)
Date: 2009-07-07 01:12 am (UTC)(no subject)
Date: 2009-07-07 01:27 am (UTC)